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Cinema Scope Magazine: Film reviews, criticism and interviews

Created: May 26, 2025, 2:40 p.m. | Seen by us: Sept. 8, 2025, 12:12 p.m.

meta description if known - Articles from the print version of Cinema Scope magazine. Interviews, Features and Columns available to read for free.

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  • h1s:
    • Editor’s Note
    • TIFF 2023 | 100 Yards (Xu Haofeng, Xu Junfeng, China) — Centrepiece
    • TIFF 2023 | A Happy Day (Hisham Zaman, Norway/Denmark) — Centrepiece
    • TIFF 2023 | A Normal Family (Hur Jin-ho, South Korea) — Gala Presentations
    • TIFF 2023 | A Road to a Village (Nabin Subba, Nepal) — Centrepiece
    • TIFF 2023 | Achilles (Farhad Delaram, Iran/Germany/France) — Discovery
    • TIFF 2023 | After the Fire (Mehdi Fikri, France) — Discovery
    • TIFF 2023 | American Fiction (Cord Jefferson, US) — Special Presentations
    • TIFF 2023 | Anatomy of a Fall (Justine Triet, France) — Special Presentations
    • TIFF 2023 | Backspot (D.W. Waterson, Canada) — Discovery
    • TIFF 2023 | Banel & Adama (Ramata-Toulaye Sy, France/Senegal/Mali) — Centerpiece
    • TIFF 2023 | The Beast (Bertrand Bonello, France/Canada) — Special Presentations
    • Toronto International Film Festival 2023
  • h2s:
    • Cinema Scope Magazine
  • h3s:
    • Cinema Scope 97 Table of Contents
    • Issue 97 Editor’s Note
    • Face the Music: Hamaguchi Ryusuke on “Evil Does Not Exist”
    • Your Own Hall of Fame: Alex Ross Perry on “Videoheaven” and “Pavements”
    • Objects of Desire: Rodrigo Moreno on “The Delinquents”
    • From the Vision to the Nail in the Coffin, and the Resurrection: Dimitris Athiridis on “exergue – on documenta 14”
    • Last of the Independents: A Roundtable on “Charley Varrick” with Veronika Franz and Severin Fiala
    • Deep Cuts: The First International Women’s Film Seminar
    • Open Source: Some Films by Ross Meckfessel
    • Film Tourists in Los Angeles
    • Out of Time: The Videos of Tulapop Saenjaroen
    • The Sense of the Past: Terence Davies (1945–2023)
    • The World in Focus: Vincent Grenier (1948-2023)
    • Dead Slow Ahead: On Joe Pera
    • Global Discoveries on DVD: Now or Never
    • Pale Shibboleth: Will Hindle’s “Chinese Firedrill”
    • The Killer (David Fincher, US)
    • Killers of the Flower Moon (Martin Scorsese, US)
    • Menus-Plaisirs – Les Troisgros (Frederick Wiseman, US)
    • Poor Things (Yorgos Lanthimos, US/UK/Ireland)
    • The Practice (Martín Rejtman, Argentina/Chile/Germany/Portugal)
    • Priscilla (Sofia Coppola, US)
    • Editor’s Note
    • TIFF 2023 | 100 Yards (Xu Haofeng, Xu Junfeng, China) — Centrepiece
    • TIFF 2023 | A Happy Day (Hisham Zaman, Norway/Denmark) — Centrepiece
    • TIFF 2023 | A Normal Family (Hur Jin-ho, South Korea) — Gala Presentations
    • TIFF 2023 | A Road to a Village (Nabin Subba, Nepal) — Centrepiece
    • TIFF 2023 | Achilles (Farhad Delaram, Iran/Germany/France) — Discovery
    • TIFF 2023 | After the Fire (Mehdi Fikri, France) — Discovery
    • TIFF 2023 | American Fiction (Cord Jefferson, US) — Special Presentations
    • TIFF 2023 | Anatomy of a Fall (Justine Triet, France) — Special Presentations
    • TIFF 2023 | Backspot (D.W. Waterson, Canada) — Discovery
    • TIFF 2023 | Banel & Adama (Ramata-Toulaye Sy, France/Senegal/Mali) — Centerpiece
    • TIFF 2023 | The Beast (Bertrand Bonello, France/Canada) — Special Presentations
    • TIFF 2023 | Boil Alert (James Burns, Stevie Salas, Canada) — TIFF Docs
    • TIFF 2023 | Bouquets 31-40 (Rose Lowder, France) — Wavelengths
    • TIFF 2023 | The Boy and the Heron (Hayao Miyazaki, Japan) — Gala Presentations
    • TIFF 2023 | The Breaking Ice (Anthony Chen, China) — Centrepiece
    • TIFF 2023 | Chantal Akerman: Her First Look Behind the Camera (Chantal Akerman, Belgium) — Wavelengths
    • TIFF 2023 | La Chimera (Alice Rohrwacher, Italy/France/Switzerland) — Special Presentations
    • TIFF 2023 | Chuck Chuck Baby (Janis Pugh, UK) — Centrepiece
    • TIFF 2023 | Close Your Eyes (Víctor Erice, Spain) — Centrepiece
    • TIFF 2023 | Daughters of Fire (Pedro Costa, Portugal) — Wavelengths
    • TIFF 2023 | Days of Happiness (Chloé Robichaud, Canada) — Special Presentations
    • TIFF 2023 | Dear Jassi (Tarsem Singh Dhandwar, India) — Platform
    • TIFF 2023 | The Dead Don’t Hurt (Viggo Mortensen, Canada/Mexico/Denmark) — Special Presentations
    • Last of the Independents: A Roundtable on “Charley Varrick” with Veronika Franz and Severin Fiala
    • Deep Cuts: The First International Women’s Film Seminar
    • Open Source: Some Films by Ross Meckfessel
    • Film Tourists in Los Angeles
    • TIFF 2023 | Chantal Akerman: Her First Look Behind the Camera (Chantal Akerman, Belgium) — Wavelengths
    • Back to Zero: The Experimental Cinema of Jean Eustache
    • Face the Music: Hamaguchi Ryusuke on “Evil Does Not Exist”
    • Your Own Hall of Fame: Alex Ross Perry on “Videoheaven” and “Pavements”
    • Objects of Desire: Rodrigo Moreno on “The Delinquents”
    • From the Vision to the Nail in the Coffin, and the Resurrection: Dimitris Athiridis on “exergue – on documenta 14”
    • TIFF 2023 | Do Not Expect Too Much from the End of the World (Radu Jude, Romania/Luxembourg/France/Croatia) — Wavelengths
    • TIFF 2023 | Pictures of Ghosts (Kleber Mendonça Filho, Brazil) — Wavelengths
    • The Dream’s Dream: Lisandro Alonso on “Eureka”
    • Close Your Eyes (Víctor Erice, Spain)
    • Anatomie d’un chute (Justine Triet, France)
    • Inside the Yellow Cocoon Shell (Pham Thien An, Vietnam/Singapore/France/Spain)
    • The Girl and Her Trust: Sean Price Williams on “The Sweet East”
    • Festivals | Berlin: Claire Simon’s Notre corps
    • Issue 97 Editor’s Note
    • Out of Time: The Videos of Tulapop Saenjaroen
    • The Sense of the Past: Terence Davies (1945–2023)
    • The World in Focus: Vincent Grenier (1948-2023)
    • Dead Slow Ahead: On Joe Pera
    • Global Discoveries on DVD: Now or Never
    • About Cinema Scope
  • title: Cinema Scope Magazine: Film reviews, criticism and interviews
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